[et_pb_section fb_built=”1″ _builder_version=”4.27.5″ _module_preset=”default” background_color=”#000000″ global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ admin_label=”Ligne” _builder_version=”4.27.5″ _module_preset=”default” width=”100%” max_width=”80%” custom_margin=”||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_post_title meta=”off” featured_image=”off” _builder_version=”4.27.5″ _module_preset=”default” title_font=”Open Sans|300|||||||” title_text_color=”#ddab05″ title_font_size=”6rem” text_orientation=”center” custom_margin=”0px||0px||false|false” global_colors_info=”{}”][\/et_pb_post_title][et_pb_text admin_label=”Texte” _builder_version=”4.27.6″ _module_preset=”default” text_font=”–et_global_body_font|300|||||||” text_text_color=”#FFFFFF” text_font_size=”1.5rem” text_line_height=”1em” header_text_align=”center” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
De rockavant-garde onder bescherming van Warhol<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ admin_label=”Ligne” _builder_version=”4.27.5″ _module_preset=”default” width=”100%” max_width=”80%” custom_margin=”||||false|false” custom_padding=”||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_font=”|300|||||||” text_font_size=”16px” header_font=”|700|||||||” header_text_align=”center” header_font_size=”36px” header_2_font=”–et_global_heading_font|300|||||||” header_2_text_color=”#ddab05″ header_2_font_size=”24px” text_orientation=”justified” background_layout=”dark” width=”100%” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n
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The Velvet Underground<\/strong> werd in 1964<\/strong> opgericht in New York<\/strong> door Lou Reed<\/strong> (zang, gitaar), John Cale<\/strong> (altviool, bas, keyboards), Sterling Morrison<\/strong> (gitaar) en Maureen Tucker<\/strong> (drums). Andy Warhol<\/strong> werd hun mentor en artistiek producent.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_font=”|300|||||||” text_font_size=”16px” header_font=”|700|||||||” header_text_align=”center” header_font_size=”36px” header_2_font=”–et_global_heading_font|300|||||||” header_2_text_color=”#ddab05″ header_2_font_size=”24px” text_orientation=”justified” background_layout=”dark” width=”100%” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n <\/p>\n The Velvet Underground & Nico (1967)<\/strong>, met de Duitse zangeres Nico<\/strong> en de iconische bananenhoes<\/strong> van Warhol, verkende thema’s als drugs<\/strong>, seksualiteit<\/strong> en het stadsleven<\/strong> \u2013 onderwerpen die destijds als taboe werden beschouwd. White Light\/White Heat (1968)<\/strong> dreef noise rock<\/strong> tot het uiterste.<\/p>\n Hoewel deze albums bij hun verschijning commercieel flopten, worden ze tegenwoordig beschouwd als enkele van de meest invloedrijke platen<\/strong> uit de rockgeschiedenis.<\/p>\n John Cale<\/strong>, een klassiek geschoolde muzikant uit Wales, bracht een avant-gardistische<\/strong> dimensie in de band dankzij zijn samenwerking met componist La Monte Young<\/strong> en de Fluxus-beweging<\/strong>. Zijn drone-achtige elektrische altviool en geluidsexperimenten vormden een fascinerend contrast met de popgerichte melodie\u00ebn van Lou Reed.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.matts-guitar-shop.com\/wp-content\/uploads\/2026\/06\/the-velvet-underground-biographie-02.webp” alt=”Biografie van The Velvet Underground” title_text=”the-velvet-underground-biographie-02″ align=”center” _builder_version=”4.27.6″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.25.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_font=”|300|||||||” text_font_size=”16px” header_font=”|700|||||||” header_text_align=”center” header_font_size=”36px” header_2_font=”–et_global_heading_font|300|||||||” header_2_text_color=”#ddab05″ header_2_font_size=”24px” text_orientation=”justified” background_layout=”dark” width=”100%” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” locked=”off” global_colors_info=”{}”]<\/p>\n <\/p>\n The Velvet Underground werd in 1996<\/strong> opgenomen in de Rock and Roll Hall of Fame<\/strong>. De band had een directe invloed op punk<\/strong>, new wave<\/strong>, postpunk<\/strong>, shoegaze<\/strong> en indierock<\/strong>.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.6″ _module_preset=”default” text_font=”|300|||||||” text_font_size=”16px” header_font=”|700|||||||” header_text_align=”center” header_font_size=”36px” header_2_font=”–et_global_heading_font|300|||||||” header_2_text_color=”#ddab05″ header_2_font_size=”24px” text_orientation=”justified” background_layout=”dark” width=”100%” width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n <\/p>\n Sterling Morrison<\/strong> speelde op Fender Stratocaster<\/strong>– en Guild Starfire<\/strong>-gitaren. Lou Reed<\/strong> stond bekend om zijn gebruik van verschillende modellen van Gretsch<\/strong> en Fender<\/strong>.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" De rockavant-garde onder bescherming van WarholOprichting en beginjarenThe Velvet Underground werd in 1964 opgericht in New York door Lou Reed (zang, gitaar), John Cale (altviool, bas, keyboards), Sterling Morrison (gitaar) en Maureen Tucker (drums). Andy Warhol werd hun mentor en artistiek producent.Grondleggende albumsThe Velvet Underground & Nico (1967), met de Duitse zangeres Nico en de […]<\/p>\n","protected":false},"author":2,"featured_media":40123,"parent":24579,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-40147","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nGrondleggende albums<\/h2>\n
Nalatenschap<\/h2>\n
Iconische gitaren<\/h2>\n